Filmmaker, writer, illustrator, musician and builder of production systems for AI cinema.
The craft doesn't die. It changes tools. From celluloid to pixel, from pen to prompt: the soul remains the only camera.
My work with generative systems begins from filmmaking, not from software.
The camera, the edit, the actor, the silence before a take — that is still the grammar underneath everything I build. IAMCCS tools grow from production problems I first learned to recognise on set: how to hold intention across time, how to preserve continuity, and how to keep technology in service of a human gaze.
About the workA feature film born from independent production: coming-of-age, dark imagination, memory and transformation.
Shotboards, continuity systems, custom ComfyUI nodes, long-form video, audio and editorial tools built for production rather than demos.
Local image generation, editing and assistant-driven creative control around ComfyUI and user-owned models.
Dark-fantasy characters, illustrated worlds and narrative material that also feed the cinematic projects.
Film direction, visual authorship and generative systems treated as one production practice — from shot design to editorial structure.
Shotboards, positioned guides, latent continuity, audio state and long-form workflows for MiniMax H3, LTX and generative video.
ComfyUI-based generation and professional image editing around user-owned models, local hardware and goyAIcanvas Advanced.
Generative images often reward total visibility: uniform sharpness, cleaned noise, perfect detail. My research moves in the opposite direction — toward optical character, controlled imperfection and image-form as cinematic language.
Production breakdowns, workflows, research notes, releases and the ongoing Cinema AI Masterclass.
IAMCCS Nodes, Annotate, prompt systems and production-oriented tools for ComfyUI.
A standalone local creative environment for generative image production and professional editing.
